Date of Birth:
17th April 1981
Education:
2007
Fellow of the RSA after winning the Student Design Awards
2003
Accepted at The Royal College of Art (MA Printed Textiles) 2003
2000 – 2003
The Manchester Metropolitan University (BA Hons Textile Design)
1999 – 2000
West Cheshire College (Fine Art Discipline)
1992 – 1999
Upton-by-Chester County High School
Qualifications:
- BA Hons Textile Design First Class Honours Degree.
- BTEC Diploma in Art and Design (Distinction).
- A Level: Art (A); English Language (A); Biology (B).
- 9 GCSE’s: Art & Design (A*); English (A); English literature (A); History (A); Science (AA); Maths (B); German (C); Keyboarding Applications (A + 50wpm).
Statement:
I'm interested in time and memory, objects silently disappearing into their surroundings. The beauty of surface decay. Trying to explore the human condition and what it means to be part of this natural world either through an innate symbolism or how we subconsciously view what surrounds us. I'm fascinated by landscape, I attempt to bring a sense of spirit into my work, concerned with emotion, my works are mainly abstract because they try to experience the elements. I have recently incorporated figurative aspects illustrating the need for skill in drawing and painting and the symbolism and meaning of placement of particular objects not normally seen in an ‘art’ context -the mundane and banal – these objects developing metaphor and narrative through the way I limit how they are viewed by the viewer.
Currently - Summer 2011 - You will currently find many symbols, some graphically obvious and some hidden within the paintings. It started with a trip to the historic and rural often unexplored side of Nevada desert - my photographs reveal symbolic references innate to the lives of the Native Indians and Cowboys. I found it fascinating how the cultures had crossed and deep down each has the same values of man and in the end the respect each other and understand each others perspective.
I became obsessed with symbols - how the can come in obvious and intuitive ways into our lives. I play with the way a symbol can almost appear to have meaning and be something entirely fabricated and meaningless but summon a sense of power and resonance within us.
"Myth is the hidden part of every story, the buried part, that region that is still unexplored because there are as yet no words to enable us to get there. Myth is nourished by silence as well as by words." - Italo Cavino
You will find my work physical in its mark making and surfaces, specialising in works on paper - from mono-print, screen-print, oil paint, pulped paper, felt, wax to sand and sawdust. I like the way your material and what it can do affects the outcome - I have an acute awareness for painterly activity. I'm interested in making gestural blots and marks often for purely expressive ends, even to create purely abstract and emotionally charged compositions. This links tangibly to my Textile Design background and my love of tactile works.
My work is poetic and beautiful, a degree of beauty is essential to excite the eyes and mind. I like there to be a rhythm in the composition and painting style which flows your eyes across the painting. I am involved with colour, shape and texture and the interaction and balance between them - often I have a fascination with the purely visual, revealing to people what I see and think subconsciously as your minds eye will automatically deem certain things unimportant, acting more on an emotional level and exploring the personality of the subject and the essence of its being.
The way that art can be very simple in content, just texture and colour - in obvious terms telling you nothing, but it ignites emotions or memories and feelings through suggestive elements and psychological associations, even with something as minimal as a single colour.
"Colours are lights' suffering and joy" - Goethe
Making a painting or work is like collecting a pebble from a walk you love, as a reminder of your moment - the difference is, a pebble on a mantle piece tells no tales of a place on its own - it sits in silence, only your memories remain…yet a painting can be busy and loud with emotions and visual language and create new feelings and invoke memories from the past. "People should leave behind all thoughts and words so their minds can be open and free and their senses truly aware for just a few seconds or minutes to fell as I felt."
Artists that inspire me are Paul Klee; David Hockney; Antonio Tapies; Peter Lanyon; Cy Twombly; Anselm Keifer.
Exhibitions and experiences:
2011
- Exhibition of works at Staacks Gallery, West Kirby from August 2nd for a month
2009
- Invited to exhibit latest works in the Florence Biennale 5 – 13th December 2009 by the internal committee. My participation in the exhibition is sponsored by Rick Parry Chief Executive of Liverpool Football Club and supported by George Davies (GIVe, George at ASDA).
2007
- Exhibition of work at Artroom Gallery Parkgate from 9th August to 30th September
2004
- Art Teacher part-time at South Trafford College, Altrincham, Manchester – teaching evening classes, Life Drawing to Foundation Year level – ages 18-64.
- Design work for Woodmansterne producing commercial cards and calendars.
- Artwork published by Pauntley Prints, Blink Red and Catch Publishing.
- Current production of mass-produced original works own designs for Ecosse Fine Arts, main wholesale buyer is John Lewis
2003
- Final degree collection Fashion show at Topshop Graduate Fashion Week, London.
- Printed soft furnishings with “Supernatural” award winning print, for Oliver Heath on BBC’s “Changing Rooms”.
- Accepted at The Royal College of Art for Printed Textile MA.
- RSA Fashion Fabric “Supernatural” Project wins “The Draper’s Company Travel Award”.
- Commissioned painting series for Johnathan Bryan Opticians, Chester.
2002
- Work experience at Edmond Taylor Textile Design, London, producing high-end contemporary Womenswear textile samples. Work sold to ‘Liz Clairbourne’ and ‘Fang’ in New York.
- Artwork sold to ‘Crown Wallcoverings’.
2000
- Food Illustration Lemons for ‘Packard Grey’, featured in ’Daily Mail “Weekend” magazine.
1999
- Part-Time Graphic Designer and Secretary at ‘Ziggurat Ltd. Advertising, Marketing and Graphic Design Co.’.
- Exhibition of artwork produced on Artists in Tuscany trip and Italian costume fashion show at Woodford Arts Centre, Winsford.
1998
- Awarded place on Young Cheshire Artists In Tuscany,Italy visit representing Upton High and up and coming artists of Cheshire.
1997
- 6 months of A Level Photography course at West Cheshire College and related experience of photography and styling: food packaging with ‘CJ Studios’, Wirral for Ziggurat Ltd and fashion styling for photographer in North Wales.
- GCSE Artwork exhibited by NEAB, representing highest standard at Woodford Lodge Arts Centre, Winsford.